Baroque Age History of Horse Art

Movement had a great appeal to Baroque painters, and the poses Rubens selected for the horse in his  work certainly displayed complete mastery. Small scale battle scenes were popular themes in the 17th century as can be seen in the works of Jacques Courtois, Philips Wouwermans and Jan Wyck. Normally the horse  was portrayed in small scale, did not require great detail – in fact the battle scenes were not based on reality or historical engagements.

Caravaggio certainly captured the drama of the age with his brilliant chiaroscuro. Caravaggio’s painting of St Paul’s Journey to Damascus is linked under illustrations on this page.

Le Brun’s style of painting might be unfashionable today, but was delightfully in tune with the Baroque period. His patron’s included Chancellor Seguier ( a riding school master), Cardinal Barberini and Pope Urban VIII, then later in life Louis XIV.

In many art works of the day, much more importance was placed on horses than in previous time periods.

In painting the favorite pony Prince Balthasar Carlos, Diego Velasquez had to work from the deceased and stuffed pony, it having already lived it’s life.

Stefano della Bella was an etcher and imitated the work of Callot, but his love of animals, especially horses, infused the subject matter of his prolific career and he portrayed many horses in many poses, including the work horse.

The art works of Aelbert Cuyp and Philips Wouwermans were typical of the Dutch style, and very naturalistic.

It was also during this time period that horse sporting art became a genre. Horse racing as the subject of artworks abounded under the patronage of the British Tudor and house of Stuart, as well as Charles II. Owners of winning horses commissioned portraits. Charles II established Newmarket as a center of racing and Barb and Arab stallions were imported and crossed with the local stock of England, giving rise eventually to the Thoroughbred. The genre of sporting art continues to be popular today.